Grundgestalt, multi-piece, and intertextuality in Brahms's Opp. 117, 118, and 119
Schoenberg's notion of the Grundgestalt is one which has fascinated and intrigued analysts, theorists, and aestheticians alike. However, until the very end of his life, Schoenberg was reluctant to provide an absolute definition for Grundgestalt, and subsequent commentators have attempted multif...
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University of Nottingham
1998
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311721 |