An examination of the place of fresco in contemporary art practice
This dissertation is the outcome of a practice-based research inquiry into innovations in processes and materials leading to a contemporary fresco. The research is in three parts: 1) the textual establishment of a historical framework for fresco; 2) an exhibition, Channelling Time, at the Lethaby Ga...
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University of the Arts London
2004
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410766 |