The gender politics of infinite detail and the archival ad infinitum in transcendentalist photographics : from origins to structuralism
The thesis constructs a filiation relating transcendentalist photographic practices. The historical span stretches from the early nineteenth century inventions of photographies (Daguerre, Arago, Talbot, Hill, Holmes), through American modernism (Stieglitz, Strand, Weston, Adams), and ends with struc...
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University College London (University of London)
2005
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.417080 |