The Connexions Between Drama and Music in the Viennese Popular Theatre from the Opening of the Leopoldstadter Theater (1781) to Nestroy's Opera Parodies (ca 1855), with Special Reference to the Forms of Parody
After an introductory chapter which places general considerations pertinent to a study of Viennese parody within a wider context, chapters II and III provide a historical survey respectively of parody in Vienna, and of music in the theatre in Vienna. Chapter III in particular contains much new mater...
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Royal Holloway, University of London
1977
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.479887 |