Hearing Voices: Sound Art Practice in a Cross-Cultural Context
This dissertation is concerned primarily with the body of workwhich has eme~ged from the author's project with endangered click-languages in the Kalahari Desert. It looks at the development of his sound art practice by tracing the work leading up to Hearing Voices and by discussing the directio...
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Goldsmiths College (University of London)
2007
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.485559 |