Spectacle as myth : Guanxi, the relational and the urban quotidian in contemporary Chinese art (2005-2008)
This thesis is an interrogation of the spectacle of Chinese contemporary art and the concept of a Chinese modernity, in terms of the legacy from the Communist era, China's social fabric and its urban quotidian. It contributes to knowledge in a way of understanding Chinese contemporary art that...
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University of the Arts London
2008
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.501675 |