Horror on the Home Front : The Female Monster Cycle, World War Two and Historical Reception Studies
This study examines a distinct Hollywood production cycle from 1942 to 1946 in which women, for a brief moment, supplanted men in horror cinema's key role of the monster. Adopting a historical reception studies approach, this study analyses this industry strategy in relation to its wartime cont...
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University of East Anglia
2009
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.522272 |