The making of a modern art world : the institutionalisation of Guohua in Shanghai, 1929-1937
Using guohua, the indigenous art form of China, as the point of entry, this thesis seeks to explore and interrogate the discourse both of guohua itself, and the wider discourse of Chinese modernism in the visual arts. It does this through examining newly adopted modem artistic practices of the Repub...
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SOAS, University of London
2009
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| Online Access: | https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.528079 |