Listening to the spectre of ideology in jazz : a consideration of the composer-bandleader as a musical figure of critique during the interwar years of the 20th century with particular reference to Reginald Foresythe, Lil Hardin Armstrong, Raymond Scott and Duke Ellington
This thesis treats the composer-bandleader as a novel critical concept that illuminates the subtly complex relationship between musical culture, ideology and subjectivity during the interwar years of the twentieth century. Four case studies, based upon the work of Reginald Foresythe, Lil Hardin Arms...
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University of Newcastle upon Tyne
2011
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.545853 |