Re-envisioning the 'theatre of the absurd' : the Lacanian spectator and the work of Fernando Arrabal, Arthur Adamov and Eugène Ionesco
This thesis considers the interface between the theatre of the absurd and Lacanian cultural criticism. It conceptualises a ‘theoretical spectator’ produced by the play texts and examines its implications for a politics of spectatorship in a postmodern age. This methodology seeks to escape the trap o...
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University of Exeter
2011
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.547020 |