!HalleluliaH! : excursions into a third space : 'Carnival Messiah' as an instrument of postcolonial liberation
Trinidad has a long history of applying the linguistic formulation of 'double entendre' as a mode of misinformation that permeates every aspect of its culture. Double entendre here forms an agent of secrecy and camouflage, reversal and subversion, and ensures that 'nothing is ever as...
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University of Leeds
2005
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.551240 |