Music theory in nineteenth-century Germany as a context for Wagner's Götterdämmerung
Initial impressions would suggest that music theory intended for educational use and Wagner's <I>Götterdämmerung</I> have in common only their broad era and general location, that is, nineteenth-century Germany. The first issue which this raises, therefore, is how such theory might...
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University of Cambridge
1999
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596149 |