The oppositional gaze : contemporary image-making practice and the implications of skin colour ideals
The thesis explores the uneven distribution of power between and of the black/white female dichotomy and, while using them as a strategic tool within the visual work, questions the implications of skin colour in constructions of femininity within visual representations. Historically as a marker of s...
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University of the Arts London
2014
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.606521 |