Painting backwards, or, How my fool encountered the melancholic

‘Uncompanionable’ is the word Leo Steinberg used to describe the female figures in Pablo Picasso’s paintings of the early forties. This project demonstrates a series of attempts to imagine acts of companionship in an area of tension between art history and fine art, which it constructs anew. The obj...

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Bibliographic Details
Main Author: Peasnall, Eve
Published: Royal College of Art 2013
Subjects:
750
Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.629601