Depicting limits : syntax, abstraction and space in contemporary painting
The central claim of the thesis is that contemporary painting can be productively considered and made through a renewed investigation of syntax. Beginning with a detailed examination of Jonathan Lasker's work, I argue that a recomposed concept of syntax as a critical method distinguishes what I...
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Goldsmiths College (University of London)
2013
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.631095 |