Roberto Gerhard : explorer and synthesist
There is a general perception that Gerhard’s late, modernist, style was due to a radical change of direction around the time of his First Symphony. This thesis argues that in fact several important elements integral to this ’new’ style are traceable in works as early as Dos apunts and Seven Haiku of...
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University of Huddersfield
2013
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.638099 |