Merely Gothic in disguise? : discontinuity, continuity and the aesthetics of British modernism
The ideology of early British Modernism, as derived by Eliot and Pound primarily from the writings of T.E. Hulme, is focused on a valorization of the Primitive, Byzantine or 'Classical' (objective) and a rejection of the Romantic (subjective). In Hulme's work, however, it can be shown...
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University of Edinburgh
1992
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650971 |