Merely Gothic in disguise? : discontinuity, continuity and the aesthetics of British modernism

The ideology of early British Modernism, as derived by Eliot and Pound primarily from the writings of T.E. Hulme, is focused on a valorization of the Primitive, Byzantine or 'Classical' (objective) and a rejection of the Romantic (subjective). In Hulme's work, however, it can be shown...

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Bibliographic Details
Main Author: Fletcher, Christopher John Yates
Published: University of Edinburgh 1992
Subjects:
Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650971

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