The return of romantic irony : modes of feminist and post-colonial identity in the work of Angela Carter, Salman Rushdie and Ben Okri
In Chapter One, I discuss definitions of romantic irony, and the various ways in which romantic irony might be viewed in conjunction with the work of these three authors. In order to approach a working definition of 'the romantic', I briefly frame the relationships between romance, romanti...
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University of Edinburgh
1998
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.653594 |