Bach's suites for solo cello (BWV 1007-1012) and the textual geographies of modernity
This thesis examines the textual history of Bach’s Six Suites for Solo Cello (BWV 1007–1012). There is no autograph manuscript in Bach’s hand. The Suites gained their popularity via four different manuscript copies, each suggesting a different reading. Established research paradigms assume the exist...
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University of Southampton
2016
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| Online Access: | https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.690255 |