Whither Jamaica's music industry? : a Bourdieusian approach to tracing plantalogical subjectivities
A point of departure for this thesis is that despite consensus among stakeholders in Jamaica that the nation’s popular music genre, reggae, is a well-received global brand, a veritable state of inertia persists when it comes to advancing the productive capacity of the music sector. In this thesis, t...
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University of Leicester
2016
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.692503 |