The performance of the print
The physical presence of contemporary photographs – whether as magazine, hoarding, wet chemistry, museum displays, inkjet prints or on-screen displays – is subordinate to the content of the image. However, resurgence of interest in the autographic opportunities of nineteenth century contact-printing...
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University of the West of England, Bristol
2016
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.698772 |