Travelling Torchwood(s) : national and transnational identities, glocalisation and the pseudo-reflexive audience
Telefantasy series Torchwood (2006-2011, multiple production partners) was industrially and paratextually positioned as being Welsh, regardless of its frequent status as an international coproduction. When, for series four, the production (and diegesis) moved primarily to the US as a coproduction be...
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Aberystwyth University
2017
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| Online Access: | https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715169 |