Object-images : the exposed paintings of Callum Innes and the phenomenology of non representational painting
This thesis seeks to explore the notion of non-representation in painting and consider our experience of such paintings in phenomenological terms. It is centred around an analysis of the Exposed Paintings by Callum Innes, made from 1993 to date, and employs the term object-image to examine how such...
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University of Kent
2017
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| Online Access: | https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.721653 |