Depoliticisation and repoliticisation in post-colonial Indonesian film adaptations
This study investigates the depoliticisation and repoliticisation in post-colonial Indonesian film adaptations, primarily focusing on Blood and Crown of the Dancer (1983) and The Dancer (2011), the two adaptations of Ahmad Tohari’s novel The Dancer (1982). The investigation is motivated by a series...
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De Montfort University
2017
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.732348 |