Tomimoto Kenkichi and the discourse of modern Japanese ceramics
In Japan, ceramics has long been considered a medium associated with elevated aesthetic expression and high cultural capital. However, the late nineteenth and twentieth centuries saw transformations of its epistemological underpinnings. The collapse of the feudal system gave rise to the multivalence...
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| Language: | en_US |
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2016
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| Online Access: | https://hdl.handle.net/2144/14288 |