Period instruments, material objects, and the making of the 20th–century early music revival
When period instruments first appeared, audiences were highly skeptical of their musical value. It was not until the early-1900s—and performers like Arnold Dolmetsch—that they began to become not only accepted, but increasingly mandated for early music performances. However, while criticisms regardi...
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| Language: | en_US |
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2016
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| Online Access: | https://hdl.handle.net/2144/17116 |