Liminality as a Framework for Composition: Rhythmic Thresholds, Spectral Harmonies and Afrological Improvisation
This paper examines the ways in which involvement with both French spectral music and Afrological forms of improvisation has informed my current work as a composer. I present a brief overview of the major concerns and preoccupations of both musics as well as an account of the overlapping histories o...
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| Language: | English |
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2012
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| Online Access: | https://doi.org/10.7916/D8RJ4RKM |