Apollo, Dionysus, dialectical reason and critical cinema
The contemporary era is dominated by an Apollonian visual language, i.e. the visual language of mainstream cinema and the mass media, and this study concerns the role that critical cinema, as Dionysian subverter, plays under such conditions. I argue that critical cinema should not be viewed as somet...
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| Format: | Others |
| Language: | English |
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University of Port Elizabeth
2003
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| Online Access: | http://hdl.handle.net/10948/295 |