Auguste Rodin's marble portrait bust of Gustav Mahler: a study of the beneficiality of a dialectical synthesis of opposites in life and art
In 1909 the composer Gustav Mahler and the sculptor Auguste Rodin, arguably the greatest composer and the greatest sculptor of the time, met in Paris. Both were transitional figures in their respective fields, representing the end of an era in their creative work. Their respective legacies neverthel...
| Main Authors: | , |
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| Format: | Others |
| Language: | en |
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South African Journal of Art History
2008
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| Online Access: | http://encore.tut.ac.za/iii/cpro/DigitalItemViewPage.external?sp=1000803 |