The Whiteface and the Auguste: the integration of structure and spontaneity in contemporary clown theatre performance
This dissertation proffers argument which attempts to suggest that the consideration of both spontaneity and structure is paramount in the creation, rehearsal and performance of clown theatre. In my view, the Whiteface and Auguste clown partnership arguably represents a break in the tradition of cir...
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| Format: | Dissertation |
| Language: | English |
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University of Cape Town
2016
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| Online Access: | http://hdl.handle.net/11427/20128 |