Moving passions: theories of affect in Renaissance love discourse and Shakespeare's Elizabethan plays
The 1998 film, Shakespeare in Love, sets Will Shakespeare (and itself) the challenge to "show the nature and truth of love ... to make it [love] true" - with an ideal presentation of Romeo and Juliet. The film finally achieves this by ensuring that Will and Viola end on stage as Romeo and...
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Format: | Dissertation |
Language: | English |
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University of Cape Town
2018
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Online Access: | http://hdl.handle.net/11427/28268 |