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Post 9/11 constructions of Muslim identities in American black popular music

Post 9/11 constructions of Muslim identities in American black popular music

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The aim of this study was to critically explore the constructions of Muslim identities in selected Black African American popular music composed before and after the 11th of September 2001. This study is interdisciplinary because it used popular culture theories developed by Hall, Strinati, Storey a...

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Bibliographic Details
Main Author: Khan, Khatija Bibi
Other Authors: Vambe, M.T.
Format: Others
Language:en
Published: 2010
Subjects:
Islam
African American
Nation of Islam
Sunni Islam
Black Atlantic
Rhetorical devises
Artistic constructions
Black
Muslim identities
Five percenters
Nation of God on earth
Christian Moslems
Cultural hybridity
Black communities
781.6408996073
Popular music > America > Islamic influences
African Americans > Music > History
Popular music > Social aspects > United States
Muslims > United States > History.
Online Access:Khan, Khatija Bibi (2010) Post 9/11 constructions of Muslims identities in the American black popular music, University of South Africa, Pretoria, <http://hdl.handle.net/10500/3606>
http://hdl.handle.net/10500/3606
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Khan, Khatija Bibi (2010) Post 9/11 constructions of Muslims identities in the American black popular music, University of South Africa, Pretoria, <http://hdl.handle.net/10500/3606>
http://hdl.handle.net/10500/3606

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