Commodified versions of Shona indigenous music: (re)construction tradition in Zimbabwean popular music
This thesis examines Shona commodified songs in order to develop a set of criteria for critically determining whether a Zimbabwean popular song has appropriated a Shona traditional song and whether this enables the song to be categorised as “commodified Shona traditional music”. The study identif...
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| Format: | Others |
| Language: | en |
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2014
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| Online Access: | http://hdl.handle.net/10539/15750 |