Mainstream cultural production and audience citizenship: dispute resolution reality shows in transitional Chinese society
This study explores cultural productions in one television genre in Chinese mainstream media: dispute resolution shows. By applying the theoretical frameworks of Hall’s encoding and decoding and Habermas’ public spheres, this study mainly answers two research questions: 1) how does mainstream produc...
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| Format: | Others |
| Language: | English |
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University of Iowa
2017
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| Online Access: | https://ir.uiowa.edu/etd/7052 https://ir.uiowa.edu/cgi/viewcontent.cgi?article=8553&context=etd |