Young Man's Fancy: Enlightenment Taxonomy and the Feminization of the Free Musical Fantasia
In this thesis, I explicate the linkage between gender and the phenomenology of musical extemporaneity in the Enlightenment. In so doing, I trace the development of the free musical fantasia from its improvisatory roots in the music of courtesans to its codification as a Baroque topos and its eighte...
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| Language: | en_US |
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University of Oregon
2014
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| Online Access: | http://hdl.handle.net/1794/18409 |