The Twentieth-century Canon: An Analysis of Luigi Dallapiccola's Canonic Works from his 'Quaderno musicale di Annalibera'

The Twentieth-century Canon: An Analysis of Luigi Dallapiccola's Canonic Works from his 'Quaderno musicale di Annalibera'

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The compositional technique of cross partitioning is one of Luigi Dallapiccola's most used twelve-tone devices. Through a detailed analysis of three contrapuntal canonic movements from Dallapiccola's Quaderno Musicale di Annalibera, I examine his use of cross partitioning as a motivic tool...

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Bibliographic Details
Main Author: Ravensbergen, Jacqueline
Other Authors: Dineen, Murray
Language:en
Published: Université d'Ottawa / University of Ottawa 2012
Subjects:
Luigi Dallapiccola
Quaderno Musicale di Annalibera
twelve-tone
polarity
centricity
cross partition
Brian Alegant
set-theory
Joseph Straus
canon
BACH motive
Online Access:http://hdl.handle.net/10393/23146
http://dx.doi.org/10.20381/ruor-5910

Internet

http://hdl.handle.net/10393/23146
http://dx.doi.org/10.20381/ruor-5910

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