Silent Film Music Research as Local Musicology: A Case Study of Musical Practices and Networks in Ottawa Theatres from 1897 to 1929
The Basilica Notre-Dame Choir accompanying screenings of The Hunchback of Notre Dame at the Regent in 1924, imaginative community prologues before Mary Pickford’s Pollyanna at the Russell in 1920, and costumed opera soloists singing alongside the showing of The Bohemian Girl at the Imperial in 1926:...
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| Language: | en |
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Université d'Ottawa / University of Ottawa
2017
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| Online Access: | http://hdl.handle.net/10393/36476 http://dx.doi.org/10.20381/ruor-20756 |