Collaborating in the electric age: [onto]Riffological experiments in posthumanizing education and theorizing a machinic arts-based research
Collaborating in the Electric Age: [onto]Riffological Experiments in Posthumanizing Education and Theorizing a Machinic Arts-Based Research is a study about locating opportunities and entry points for introducing consideration of the nonhuman and posthuman to pedagogical perspectives that are trad...
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| Format: | Others |
| Language: | English en |
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2021
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| Online Access: | http://hdl.handle.net/1828/12665 Stevens, S., & Wainwright, R. (2019). Shady figures and shifting grounds for re/truthing: Channeling McLuhan’s posthuman. Journal of Curriculum Theorizing, 13(3), 108-121. https://journal.jctonline.org/index.php/jct/article/view/833 Wainwright, R., & Stevens, S. (2017). MashUp at the Vancouver Art Gallery: “In review” [onto]riffologically. Art/Research International: A Transdisciplinary Journal, 2(1), 166- 184. https://doi.org/10.18432/R2G04T |
Internet
http://hdl.handle.net/1828/12665Stevens, S., & Wainwright, R. (2019). Shady figures and shifting grounds for re/truthing: Channeling McLuhan’s posthuman. Journal of Curriculum Theorizing, 13(3), 108-121. https://journal.jctonline.org/index.php/jct/article/view/833
Wainwright, R., & Stevens, S. (2017). MashUp at the Vancouver Art Gallery: “In review” [onto]riffologically. Art/Research International: A Transdisciplinary Journal, 2(1), 166- 184. https://doi.org/10.18432/R2G04T