Contextualizing Anthony van Dyck's Iconography within the Emerging Traditions of Portraiture and Artists' Biography in the Early Modern Period
The Flemish painter Anthony Van Dyck extended his preoccupation with portraiture into the printed medium by designing a body of portrait prints, posthumously compiled into a book entitled, the Iconography. This suite of images, organized and designed by Van Dyck and printed by workshop assistants be...
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| Format: | Others |
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VCU Scholars Compass
2014
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| Online Access: | http://scholarscompass.vcu.edu/etd/616 http://scholarscompass.vcu.edu/cgi/viewcontent.cgi?article=1615&context=etd |