The Lens of Trauma: Montage Poetics in H.D.’s Trilogy
Though H.D.’s direct involvement in film was limited to a brief six-year period between the wars, I argue that the theory of cinematic montage inevitably impacted H.D.’s insight into war and trauma during the final years of World War II. Montage first emerged in the wake of World War I from a partic...
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VCU Scholars Compass
2017
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| Online Access: | http://scholarscompass.vcu.edu/etd/4870 http://scholarscompass.vcu.edu/cgi/viewcontent.cgi?article=5886&context=etd |