Black Masculinities as Marronage: Claude McKay's Representation of Black Male Subjectivities in Metropolitan Spaces
This dissertation explores the representation of black masculinities in Claude McKay's novels, Home to Harlem (1928), Banjo (1929) and Banana Bottom (1933). I use the trope of marronage to theorize McKay's representations of black male subjectivities across a range of African diasporan spa...
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| Format: | Others |
| Language: | English |
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W&M ScholarWorks
2011
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| Online Access: | https://scholarworks.wm.edu/etd/1539623576 https://scholarworks.wm.edu/cgi/viewcontent.cgi?article=3367&context=etd |