Not Because My Heart is Gone; Simply The Other Side: Francesca Woodman’s Relational and Ephemeral Subjectivity at the Limit of The Image
Francesca Woodman’s personal history, more specifically her suicide at the age of only twenty-two years old, is often used as an heuristic framework through which her highly intri-cate and complex photographic work is read retroactively. This essay argues that such readings fundamentally miss Woodma...
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| Format: | Article |
| Language: | English |
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Centre for Philosophical Research
2021
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| Online Access: | View Fulltext in Publisher |