Strangeness and Subversion at the Shaftesbury: <i>In Dahomey</i> in London in 1903
Moving away from the identity politics inherent in revisionist biographies of ex- enslaved African Americans abroad, I would like to refocus the vehicle and situation of the Black performance collective that presented In Dahomey abroad. In this, I will refer to the show's reception rather than...
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| Format: | Article |
| Language: | English |
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2014-09.
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| Online Access: | Get fulltext |